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The Challenge of Emergence

Aphrodite
Liti
The Challenge of Emergence
June 13 - September 13, 2026
Poros

Aphrodite Liti sets up a sculptural world where sea, memory and myth fuse into a single spatial experience. A contemporary conceptual practice emerges as the artist creates an open field of relations and interactions—between the art and the setting, matter and light, the natural and the artificial, the familiar and the surreal. She employs reflection, scale and transformation to correlate nature, myth and dream.

The gallery space turns into an inner marine passage. The swimmers, the dolphin, the seashells and the boat make up a set of allusions. The sea itself is not depicted; it is surmised through motion, glimmer, the change of scale and the unpredictable relations among the forms.

The reflections from Murano tiles and the sheen of metal are diffused around the space, constantly changing one's visual experience. The work extends beyond its boundaries, visually as well as in the viewer's imagination. The installation includes scraps of memory, from the past and the future. The gallery becomes an active space in which the sculptures develop, multiply and transmute.

In the yard, the oversize ring with the two lizards introduces the notion of emergence into a vegetal, earthly setting. The work is set within the existing space and activates it, expanding the boundaries of sculpture towards installation, experience and the poetic subversion of reality.

Artworks

Traces

Nikos
Podias
Traces
June 12 - September 30, 2026
Archaeological Museum of Poros

Since 2013, CITRONNE Gallery and the Ephorate of Antiquities of Piraeus and Islands have organized exhibitions by Greek artists, held throughout the summer season. The exhibited works have been selected and, in some cases, specifically created for these periodic exhibitions, drawing inspiration from the unique artifacts of the Archaeological Museum of Poros. These are contemporary artistic interventions that complement and interpret the ancient works of art, rearticulating the Museum’s atmosphere. Through this artistic dialogue, the distinct character and history of each exhibit emerge. In the summer of 2026, the solo exhibition “Traces” by Nikos Podias is presented within this framework.

Nikos Podias collects mundane materials and reworks them into precious, almost votive objects. Fragile matter—paper, teabags, tin foil—comes into the Archaeological Museum to meet the sturdiness of marble, the hardness of metal and the earthly density of clay.

Set against robust finds that survived the attrition of centuries, the works of Podias propose an inverted course and an encounter. For the ancient exhibits, the old emerges as new, as the present; for the exhibits of Podias, the new emerges through secret codes—a well-hidden experience, an age-old past. The lightweight matter assumes a new form as it retrieves memories of use, gesture and touch.

The works point to scripts, weavings, folds and enigmatic codes. They do not narrate; they suggest. Their transparency and weightlessness contrasts with the gravity of the ancient exhibits. Light activates them, pierces through the surfaces, generates shadows and reflections. It links them with the showcases, the fragments and the surrounding space.

Creations, ancient and new, go through the light and reflect the charge of history.

Artworks