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AMVRAKIA.MIA

Panos
Charalambous
AMVRAKIA.MIA
March 21 - May 11, 2024
Athens

On Thursday, 21 March 2024, CITRONNE Gallery – Athens is pleased to present Panos Charalambous' solo exhibition AMVRAKIA.MIA.
It is an installation consisted of sound sculptures, wall-mounted works and videos. Motifs that permeate the entirety of an oeuvre that is based on research and personal experiences complement one another and generate new, contemporary connections. The outcome is a «performative landscape», a «tableau vivant», an ensemble of material and immaterial documents: sounds, objects, memorabilia, impressions, mnemonic elements and archival material that allude to a past, productive agrarian world and its culture.

The in situ installation AMVRAKIA.MIA, especially made for CITRONNE Gallery, spreads throughout its premises and creates a juxtaposition between the architecture of an urban apartment and the extensive rural, open-air space. It weaves connections that instead of returning to the past render it relevant to the present.

Artworks

Liminality

Liminality
Group Exhibition
January 18 - March 2, 2024
Athens

Maro Fasouli
Marina Papadaki
Natalia Papadopoulou
Yorgos Yatromanolakis

On January 18, 2024, CITRONNE Gallery-Athens presents the exhibition "Liminality" curated by Vicky Tsirou. With this exhibition, CITRONNE Gallery introduces another current problematic. It addresses challenges arising from a contemporary liquid reality that subverts traditional ways of being, identity and life – whether voluntarily or involuntarily. The transitional stage of moving from one state to another at both an individual and collective level is described, along with the associated "rituals". The artists Yorgos Giatromanolakis, Marina Papadaki, Natalia Papadopoulou and Maro Fasouli engage with the concept of liminality.

Liminality is a term introduced by the French ethnographer Arnold van Gennep in his book The Rites of Passage in 1909. It represents the middle stage of the three-part pattern "separation, transition, incorporation in rituals." The exhibition repositions this concept in the context of contemporary experiences, a result of global developments. The curator of the exhibition Vicky Tsirou broadens the term’s meaning and examines its contemporary expressions. As she points out in her curatorial text, "more recent interpretations encompass not only the notion of ritual but also changes in the social and political sphere. Today, in the era of 'liquid modernity,' we observe that the status quo, an entire value system, is in a state of continuous instability characterized by successive transitions, or in other words, by a permanent condition of liminality."

The works in the exhibition trace 'Liminality' through four invisible passages: architectural structure, the course of history, the integration of tradition, and the inner experiential processes. The exhibition does not strictly align each artist's work with a thematic axis but tends to place them on one of these four axes. The works are integrated into the gallery's architectural structure, positioned in different rooms to reflect the analogy made by van Gennep of society with a house and its different rooms. Passages in the lives of individuals and social groups resemble movement between the internal spaces of a residence.

Artworks

Eerie Walk

George
Lappas
Eerie Walk
October 24, 2023 - January 13, 2024
Athens

Revolving around an uncompleted/work in progress, this fourth solo exhibition of the artist at CITRONNE Gallery, aims at shedding light on the George Lappas’s distinct thought and working process part of which was often dismantling a work and recomposing its parts into new sculptures. It therefore reveals the organic development of his work with its internal logic and its constantly subversive quality.

The selected works share the fragmented figure as well as balance and movement, static or not while many of them incorporate a source of light. The implication of «shadow» in the sense of an immaterial, invisible and non-present quality override mass and volume. Volume and mass override mass and volume. At the same time however, the works provoke a bodily experience, activate space and a reciprocal gaze wherein both viewer and the work become the subject and the object of vision.

A pioneering artist, George Lappas (1950-2016), who was also professor at Athens School of Fine Arts is also remembered for his ground-breaking, inspired teaching method, left behind a hugely rich work that has been appraised as a seminal case in contemporary sculpture. The cosmopolitan, intercultural perspective of this widely-travelled artist of the Greek diaspora who was born and spent his childhood in Egypt, his ties with the history of art and with memory, his delving into human psychology, are blended in an idiosyncratic work that never ceases to astound the viewer. His work was presented internationally in important exhibtions such as Metropolis at Martin Gropius Bau in 1991 as well as in some of the world’s largest Biennials such as the Venice Biennale in 1990 (his work was shown at the Greek national pavilion), the Alexandria Biennale where he was winner of the first prize and the Sao Paolo Biennial in 1987. That same year the artist created the installation Mappemonde, the Map of the World, a memory field reconstituted by CITRONNE Gallery in the artist’s exhibition in 2018.

Artworks

Repetitions II

Repetitions II
Group Exhibition
September 5 - October 14, 2023
Athens

Nikos Alexiou
Beppe Caturegli
Panos Charalambous
Thalia Chioti
Alekos Kyrarinis
Christina Mitrentse
Maria Ikonomopoulou
Nina Papaconstantinou
Nikos Podias
Efi Spyrou
Myrto Xanthopoulou

The eleven visual artists—Nikos Alexiou, Beppe Caturegli, Alekos Kyrarinis, Christina Mitrentse, Myrto Xanthopoulou, Maria Oikonomopoulou, Nina Papaconstantinou, Nikos Podias, Efi Spyrou, Thalia Chioti, and Panos Charalambous—create a collective perspective around both the individual and shared concept of "Repetition." The exhibitions Repetitions I and II function as a unified whole, as interconnected vessels. The repetition of movement, obsessive ritual as action, order and classification, and laborious depth are some of the distinct characteristics in the works showcased in these two consecutive exhibitions in Poros and Athens. In the second part of the exhibition (in Athens), the participating artists expand the exhibition's theme with new ad hoc creations and redefined versions of earlier historical works.

Artworks

Repetitions Ι

Repetitions Ι
Group Exhibition
May 27 - September 28, 2023
Poros

Nikos Alexiou
Beppe Caturegli
Alekos Kyrarinis
Christina Mitrentse
Myrto Xanthopoulou
Maria Ikonomopoulou
Nina Papaconstantinou
Nikos Podias
Efi Spyrou
Panos Charalampous
Thalia Chioti

Eleven artists - Nikos Alexiou, Beppe Caturegli, Panos Charalambous, Thalia Chioti, Alekos Kyrarinis, Christina Mitrentse, Maria Ikonomopoulou, Nina Papaconstantinou, Nikos Podias, Efi Spyrou, Myrto Xanthopoulou - interact over the element of repetition. They adopt a “private” approach, and each one reveals his or her identity, methodology, and visual idiom. They employ various media and materials. Often, in terms of process and technique, the artists of the exhibition have the reference to manual work with an underlying social and political dimension as their common denominator. Despite each artist’s “individuality”, this exhibition reveals common grounds. Repetition is expressed as a pattern; as the identical juxtaposition of text and words; as successive images. The artworks of the exhibition are characterised by repetition of movement, obsessive ritualism, order-arrangement, and scrupulous immersion.

Artworks

Epi Timvo

Alekos
Kyrarinis
Epi timvo
May 27 - September 30, 2023
Archaeological Museum of Poros

Alekos Kyrarinis describes the unbreakable continuity of time with fifteen works, which are to be exhibited at the Archaeological Museum of Poros. He refers in a lyrical way to the relationship between the living and the dead, to the need for a vivid, eternal memory that keeps the deceased present.
This need has always existed from the furthest antiquity and is expressed through inscriptions, drawings, sculptures, memorials - all of which are defined as funerary. 'Epi Timvo*', to this day, are recalled 'men's honors', but also anonymous everyday figures, familiar and dear to some people.

Alekos Kyrarinis perceives the importance and the weight of the " museological " past which, however, he does not separate from the experienced present. The figures he draws work together with the representations of the vessels and the tombstones of the Museum; at the same time, however, they also refer to Christian religion and iconography. Guardian Angels protect and watch over as connectors to the beyond, to the unknown universe where the deceased reside.
The exhibitions at the Archaeological Museum of Poros present a dialogue between the past and the present, between the Museum's exhibits and the visual world of a contemporary artist. Alekos Kyrarinis intensifies this dialogue, extending it to the relationship between experience and memory.

Epi timvo = on the tomb

Artworks